My poetry and my novel “The Wanderess” has made the news in Billboard Magazine:) …The world-famous pop-star, Halsey (a young singer who read and was inspired by “The Wanderess” before she became famous last year) She was inspired to the point that she said to the press that she developed the qualities that made her famous because of my writing). Halsey based her song “Hurricane” (with its Exclusive Premiere promoted here on Billboard Magazine) on my book, “The Wanderess.”
I just read: One of her new songs is currently #1 on the “top 10 songs and albums on the iTunes Store.” Not bad ;)
A treatise in favor of “mind and body” arts, antidepressant medications, psychotropic drugs, and scientific procedures to alter the human mind and change consciousness; as well as an article in favor of religious practice (of any and all faiths)
By Roman Payne
Why do so many humans invest a considerable portion of their fortunes on, and are so appreciative of, the advancements in neuroscience? It used to be assumed that the goal of neuroscientific studies were to cure dementia, Alzheimer’s, memory loss, and overall: to cheat death.
In 2016, however, we no longer kid ourselves privately or publicly. Today it is as acceptable to tell a stranger or a new acquaintance that you are on antidepressant drug or other psychotropic substances; or that you perform anything from yoga and meditation, to Catholic rituals or Muslim prayer.
Twenty-First Century literature, popular media in Western countries, and articles by learnéd scholars and the intelligentsia tend to agree that a fully-realized human being is someone who is not afraid to die. *
*Epicurus, for example, regarded “the unacknowledged fear of death and punishment as the primary cause of anxiety among human beings”; while Saint Augustine believed that “the fear of death makes a happy life impossible. […] The true, happy life,” Saint Augustine wrote, “requires immortality. The true life is one that is both everlasting and happy.” Scholars and writers from Plato onward wrote similar doctrines. Every man and woman may have “once have had” a fear of death. In fact, “almost all” humans feared death during childhood, and many later on. But those of us who live more or less: “contemplative lives”; those of us who devote part of each day to such activities as: introspection, self-improvement; philosophy, morality and religious practice, or the intake of pharmacological or natural psychotropic medicines, have either come to the point (and if they have not, they hopefully will, for such is the entire goal of everything from philosophy to magic to religion) where they are and can be considered “A fully-realized,” or a “flourishing,” adult.
A “flourishing” adult lives a “flourishing life”—(more specifically, a “eudaimonic” life).
(TO BE CONTINUED AFTER A FEW HOURS OF RESTFUL SLEEP)
“You must give everything to make your life as beautiful as the dreams that dance in your imagination.”
— Roman Payne
Ô, Muse of Morocco, sing me my soliloquy so that I may tell my tale of your land. For never did I experience a story so hallucinatory as when I embarked upon your sand.
Morocco is a “polytropolous” land, (completely topsy-turvy); it is a land where Reality is flipped upside down and painted multi-colored—living here is like being constantly high on a wonderfully happy hallucinogenic drug. Due to the fact that I have been a wanderer—a stranger tossed among the continents—for the last twenty years, (I first began traveling at the age of nineteen and I expatriated to France when I was just a lad of twenty-one—now I am thirty-nine—from this, I have learned an important skill: how to maintain incredible strength and feed and grow the power to overcome all of life’s obstacles—no matter how drastic they are. Twenty years of traveling has taught me to survive all culture shock, fits of panic, agoraphobia, and other disorders that originate from fear. Yet this only applied to the most sophisticated cities in the world. Coming from Paris—arguably the most elegant and polite metropolis on our planet—to a bustling city in Africa where the main square near my riad
I am thankful for all of the photos I have received from women around the world who tattoo words from my books and poems, or simply inscribe the title of my novel The Wanderess anywhere from their breasts to their dimples of Venus; or on their wrists, ankles, and toes.
A special ‘Thank You’ to this young woman (below) who sent me this testimony of her body’s permanent appreciation of my art. I only hope that she doesn’t grow to hate me before her skin withers from age and dies.
…In any case, by tattooing my words on your delicate self, I am obliged to love you for your entire life, you realize… to answer all of your letters (though otherwise I almost never answer readers’ letters [simply because I am lazy]). Yet now, I am obliged, you understand, to treat you always with profound kindness, replying with courtesy to every message you send me. For I would never forgive myself if a woman started to hate one of her body parts because she found out just how selfish, idle and monstrous the author of her tattoo is in real life. So for you, My Loves, I will offer my eternal affection, and I will pretend that I am a good person – God forbid you should learn that my soul is dirty and I am only “slightly” better than the Devil.
COMMENTS FOR ROMAN PAYNE? PLEASE FILL OUT THE FORM BELOW:
Very few novels are published with titles like: ‘The Portrait of an Artist as a Young Woman.’ While writers of coming-of-age novels about young men have a well-worn, established path to follow in the centuries-old genre of the: “Bildungsroman.” This German word, made popular by writers such as Goethe, refers to a “tale of initiation” where a boy, through worldly experience—usually involving solitary travel—becomes a mature man who is successful in the world. Female initiation tales in novels are much more rare, and when we do see them, they almost never involve solitary travel. A girl who has travelled alone has always risked experiencing social taboos—and still does, even in our “enlightened” 21st Century.
But a “girl travelling alone” is the subject and setting of the story in Roman Payne’s new novel, The Wanderess, which was published this month (November 2013) chez Aesthete Press. The Wanderess—Payne coined the word “wanderess” as the feminine form of “wanderer”—tells the story of “Saskia,” who begins the novel as a girl, and finishes as a young woman. Upon the death of her family, she inherits an income which allows her complete independence throughout her teenage years. This income far from consoles her. As she doesn’t need to work, nor aspire to the ambitions her—no longer living—family expects of her, she must ask herself: “what we are alive for?”… Her temporary answer is to search for the best friend she had while at boarding school in London, who now could be anywhere in Europe.
Like any great novel, there is a great romance. It begins when Saskia’s life gets tangled with the life of an adventurer (Saul), whose pursuit of pleasure and fortune gets tangled with the quest of this “Wanderess” for her long-lost friend and her own fortune. From the back cover description: “The two find themselves on a picaresque path that leads them through Spain, France, Italy and beyond; their adventures weaving them deeper and deeper into a web of jealous passion, intrigue, betrayal, and finally, murder.”
Payne admits that writing this, his fifth novel, wasn’t easy: “I already wrote a novel of initiation [Cities and Countries] about a young man’s solitary travels, adventures, and his coming-of-age; but The Wanderess is my first book where the hero is female. I obviously have no life experience in that role, yet the women who have read the advanced copies are unanimously positive. They expressed their delight and say that Saskia is lovable, convincing, and a highly-successful character.
About the Author: Roman Payne, born January 31, 1977 in Seattle, USA, is an American expatriate literary-fiction novelist. He left America in 1999 and currently lives in Paris. His novels are highly poetic, romantic and literary. They focus on the lives of dreamers and wanderers who travel (usually throughout Europe) looking for the meaning of their lives and of the world. You can meet him on Instagram at: @novelistromanpayne, join him on Facebook at: https://www.facebook.com/novelistromanpayne, or follow his blog at: https://novelistromanpayne.wordpress.com.